Shah Rukh Khan: There Needs To Be More Film Based Digital Content; Would Like To Keep Ra.One Alive On Digital


Following the launch of the Ra.One social game in Mumbai, India, MediaNama met film star and producer Shah Rukh Khan to get his views on the digital medium and its growth. In Part 1 of this two part series, he speaks with us about how the movie lends itself to the digital space, whether the films digital initiatives will continue beyond the film, what it would take for digital IP to become significant contributor to revenues, and more:

MediaNama: I wanted to understand how you defined the target audience for the movie and the game.
Shah Rukh Khan: The youth audience has changed a lot. We did some focus screenings of the film, and (the film) is being liked by those who are 18-24, and actually being liked by families – the younger families, which are in the 24-32 age group. When I did the focus studies, it turned out that it is a family action comedy. I thought it would start from 8-9, but taking over from 14 to…I really want to find out what happens to the 18 and 12 (year olds). I think the reason they will like it is a sense of pride, that this is cool that it happened in India. The story is not a young film like Delhi Belly, which is edgy.

MediaNama: Do you think that someone – a young boy in Jodhpur – will identify with the characterization of the film?
Shah Rukh Khan: He would identify with the fact that it is such a huge looking event. There are two ways that you can sell a game or a movie. In games, it is the graphics and the coolness, and the sound or the identification with the characters. I’m a footballer, so I like to play football games. In movies, there are two ways you make a film – either you feel that this is my story, or you feel that I want to be a part of this story. Some of the people who may not identify with the film or the story, will find it aspirational in terms of the bigness.

You know how you get turned on when you a Jurassic park. I’m not a dinosaur, I’ve never seen a dinosaur, but I’m like Oh god, this is outstanding. It’s an event, and that bigness is in the film. The crux of the film is about a family, a kid and his father and his desire. This father, in his desire to do everything for the kid, ends up creating the worlds most dangerous monster, and the monster comes out of the digital age, and not from the jungle, the smugglers den, Dubai or some underworld place. To save him, you need to get a hero from the same world. How a father goes wrong, and then there’s a message that kids should be careful what they wish for, and stay away from drugs, smoking, beating, killing and shooting.

MediaNama: Were you looking at your digital partnerships from a promotional angle or a long term revenue source?
Shah Rukh Khan: Long term, very long term. For me, initially it does work wonders because of the reach that Indiagames has of over 500 million users, through DTH, social gaming, android, it’s an amazing reach and they have the base. For them the attachment is that Bollywood is popular and there is a star attached to it. It has it’s own publicity for them, but no one wants to lose out on business.

In the long term, what will happen is that we need to use all these mediums. They will not start paying off right now, but they will create user bases which will finally, finally, start generating revenue as they do in the western world already. It’s for the longevity of my films, not only just Ra.One, but for the next film that I do as a producer, or if I can convince my other producers to come on board. This digital world is here to stay: I see in my house, you see it, we’re sitting in the car, everything is at our fingertips.

Somewhere, instead of only trying to create content only for a (digital) medium, I think we have the content already in films on a big scale. What we need to do is somehow channelize it – so you channelize Ra.One through a social game. People will get, getting used to having a little different entertainment, while the base can be the same. It’s very symbiotic. It cannot be ki kal se hi iska paisa ayega. It is a little long term.

MediaNama: What do you think it will take for the digital IP to become significant contributor to revenues?
Shah Rukh Khan: I think for there to be more regular content like this by other films, other film stars, other film producers. I would always do it. I’ve been wanting to do it for years. In this movie it’s also very specific because the movie lends itself. It’s science fiction, digital, it’s got a superhero, so you have lots of pegs which are common with social gaming and video games. It would take content like this, and eventful films to create a buzz on this kind of medium, and when people get used to it, they’ll want more, so we make more, and when we make more, we will sell it.

MediaNama: Are you looking at initiatives after the release of the film, or is that where it ends?
Shah Rukh Khan: I would like to continue. But again, somehow, the crux has to be right, the story has to be right. If people like it, then half our battle is won. Then I would like to keep Ra.One the sequel alive for a year, just on the digital medium so I can make the next one. I would love to do it. I have this concept that if the inshallah film does well – I think it will – then how to keep it alive through merchandising, the digital world, the gaming world, that this is coming or that is coming, and keep it alive and come out with a second part. It will have a gestation period of a year and a half, so then how do I not have to recreate that world again when the film releases.

MediaNama: So do you have plans in place for something beyond the release of the film?
Shah Rukh Khan: Release toh ho jaye, logon ko acchi toh lage. Malum pade joote woote maren toh we’ll have to take away the game from the digital medium. (laughs)

Note: In Part 2, out tomorrow, Shah Rukh Khan speaks with us about premiering movies online, and the impact digital cinema has on film distribution.

(Update: the first few sentences of the first paragraph have been paraphrased to indicate what Shah Rukh Khan was trying to say)

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  • Question

    Did UTV pay for you trip? 

  • Nikhil Pahwa

    No they did not. Medianama does not accept paid trips to press briefings. If in a speaker at a conference, I allow my costs to be covered, but even then if I report on anything from the conference, I give a disclosure. We don’t do junkets.

  • Subho Ray

    great going Nikhil… first interview with a film star and all…. 
    was it Mr Khan’s first interview with an internet journalist as well?

  • http://www.medianama.com Nikhil Pahwa

    Thanks Subho. to be honest, I dont know :D I don’t view journalists as internet journalists or offline. journalists are journalists. 

    We are looking to speak with more content creators – whether musicians, film stars and authors – because they are as much a part of this digital ecosystem and impacted by it as any of us. Their views will help us understand how they’re gearing up/shaping the content market. So, there will be more :)

  • http://www.facebook.com/people/Sanjay-Bose/100002809297952 Sanjay Bose

    According to Swiss bank reports :money stashed I swiss banks
    belongs to politicians , Bollywood Stars, Now u know why do the picturization
    or shooting of most Indian songs take place in Switzerland , yes they r
    enjoying with hard earn money of common man who pays taxes for every thing and
    they enjoy on that money that’s too tax free in turn we make them more rich by
    watching their movies in theaters , and also paying entertainment taxes which
    is about 50% we making them more rich , they have sold RA-1 rights to
    television for rs more then 40 crore so it will be obviously on TV , so why
    don’t to watch free ON tv instead of spending our hard earned money and make
    them rich , why we should be always loyal and don’t watch pirated versions, why
    only common man is expected to be loyal Yes he will make lot of money and much
    money , he will be much richer because there r many fools to watch his movies
    and fill his pocket and make him more richer and we have to fight for month to
    earn thousand of rupees and from which we will spend on his movie to make him
    more richer , They Blocked my video from you tube because they got worried.

    RA-1 Very Bad special effects Made by child, and they say
    very expensive movie, money only given to stars for parties m why to watch this
    low budget action film , Ramsey films better, Spend high cost is sham , a
    gimmick to give hype to the movie, effects taken from X-men, fantastic 4 etc
    but r of inferior quality sp I down loaded on my face book many ideas r taken
    from Robot too.

     

    http://www.facebook.com/video/video.php?v=118832244887085

     

    RA-one has copied bit from here and there even from Tamil
    films like Robot.

    Every bit is copied from here and there see. It has even
    copied the posters from Hollywood films at least they must show some
    creativity.

     

    http://www.pinkvilla.com/entertainment/discussion/raones-ideas-lifted-robot-and-other-superhero-films

     

    http://www.bollysquad.com/2011/09/10/ra-one-new-poster-copied-from-batman-begins-movie/

     

    http://daily.bhaskar.com/article/ENT-is-the-ra-2445414.html?HF-2

     

    now the stars OF RA-1 will appear every where ON TELEVISION
    to promote the RA-1 in shows like Little champs, dance India dance and many
    serial to promote there movie , otherwise they don’t , just watch U WILL FIND
    THEM ON UR TELEVISION, ok they appear in serial and do publicity stunts.

    he is marketing his film VERY good marketer , A good wrapper
    to attracts fools like us and waste their money. in theaters

    why not better watch it on television as it has sold its
    rights to television for 40 crore so it will be obviously on TV. You every body
    saw how The movie RASCAL created a hype buy marketing and earned lots of money
    in its first shows, buy fooling people , its way of pulling more and more
    public to watch movie on first day to recover as much money it can. 

  • Preescribe

    yuck. terrible interview